IRU MUGAN MOVIE REVIEW

When a project has Chiyaan Vikram in its cast list, the perception around it takes on a different color. And director Anand Shankar’s second directorial Iru Mugan is no exception either. To top it, we have two Vikrams who are vying for our attention in the aptly titled film.

A trailer is something that gives the audience a sneak peek of what to expect and also kindle the curiosity levels to make them buy the tickets and go to the theatre. Going by that, the trailer gave an inkling of how Iru Mugan is going to be.

Director Anand Shankar has attempted to give an action oriented espionage thriller with some scientific innovations thrown in. There are high flung chemical formulae mouthed by the characters with references to Hitler too. Looks like the team had done their research on it fine.

Well crafted action sequences, stylishly shot visuals, decent music and neat performances mark Iru Mugan. However, there is something amiss in the film to make you feel that it was such a well made, taut, commercial potboiler.

What can one say about Vikram? He gives his life and soul to any character that he essays and in Iru Mugan too, it is his show all the way. As the RAW officer Akilan, he brings out the ruthlessness and sharpness of an intelligence officer and as Love, he rocks it big time. He blends in the masculinity and also the effeminate nature of the character pretty well. It sure is a tightrope walking and kudos to the director for not making a mockery of such characters. But, why is this character this way? Was it just to bring in quirkiness?

Nayanthara and Nithya Menen have their roles clearly etched out to bring in the color to the proceedings. Interesting job descriptions such as ethical hacker and RAW case officer sound cool. Out of the supporting characters, Thambi Ramaiah has more screen time and the role is like any other one that he has been portraying in many of his films. It is a little unconvincing to see cop characters continuing to be projected outright silly onscreen.

The beauty of Malaysia, Kashmir and other places come to the fore with RD Rajasekar’s visuals. Bhuvan Srinivasan’s edits appear decent. Under Harris Jayaraj’s musical Halena song stays on. Although the songs are richly choreographed and shot, they are all unnecessary protractions especially when the proceedings are at a different gear. Costumes of Nayanthara are outright chic and uber cool.

In an investigative action thriller such as this, scenes must proceed at a rapid pace. But there are moments when we leave the happenings on screen and wander around. The team should have focused more on the story and screenplay, which could have resulted in a better product. The intended twists are well guessable by the current audience. There are a few logical questions which look unanswered in the story. 

To sum it all, Iru Mugan has its pluses in the form of technical prowess and performances but the core story and the treatment let it down.