Bale Bale Bale
Singer: Daler Mehendi, Maragadamani, Mounima
Lyricist: Karky

Bale Bale Bale opens off fantasizing Baahubali. It has been sung by Daler, Maragadamani himself and Mounima. Mounima pleases the listener with her voice and the song takes a melodious course after starting off as a percussion dominated song based on one character. Both violin and percussions have been used well. The trumpet that lingers in the background adds beauty to this grand number.

Orey Oar Ooril 
Singers: Mohana, Deepu
Lyrics: Karky

Orey Oar Ooril, exclusively written for Anushka's character is a song that gives the listener a very soothing feel. Mohana, Deepu have delivered this track very well while the composer has yet again proved his mettle with creating subtle, yet grand music. The song's level is lifted by the drums while there is a very tenuous usage of strings in the background.

Vandhaai Ayya 
Singer: Kaala Bhairava
Lyricist: Karky

Vandhaai Ayya with the vocals of Kaala Bhairava is not of a single genre. This complex song is a pleasant yet commanding number. With superior vocals, orchestration and the bgm that plays in the trailer featuring in this song, it is a feast of instruments, chorus and vocals blended well. The chorus portions are deep and are extremely convincing. Vandhaai Ayya is a feast from Baahubali 2 and takes you into the world created by Rajamouli just through the music.

Kannaa Nee Thoongada 
Singers: Nayane Nair
Lyrics: Karky

This is a lovely classical folkish melody, convincingly rendered by Nayane Nair. There is an efficient usage of the guitars and the Flute with the folk beats given priority in the hook. The Mridangam and Tabla give the song the perfect base. Maragadamani's great experience and knowledge about how to take the track forward is very explicit.

Oru Yaagam
Singer: Kaala Bhairava
Lyricist: Karky

Oru Yaagam, the highly positive sounding number sung by Kaala Bhairava has very interesting use of beats. It has minimal usage of vocals and is more of instruments. The violin takes the front seat, while the chorus falls in during the latter half. A proper situational number by the composer.