Saahore  
Singer: Daler Mehendi, M.M. Keeravaani, Mounima
Lyricist: K. Shivashakthi Datta, Dr. K. Ramakrishna

Saahore opens off fantasizing Baahubali. It has been sung by Daler, Keeravaani himself and Mounima. Mounima pleases the listener with her voice and the song takes a melodious course after starting off as a percussion dominated song based on one character. Both violin and percussions have been used well. The trumpet that lingers in the background adds beauty to this grand number.

Hamsa Naava
Singers: Sony, Deepu
Lyrics: Chaithanya Prasad

Hamsa Naava, exclusively written for Anushka's character by Chaithanya Prasad is a song that gives the listener a very soothing feel. Sony and Deepu have delivered this track very well while MM Keeravani has yet again proved his mettle with creating subtle, yet grand music. The song's level is lifted by the drums while there is a very tenuous usage of strings in the background.

Dandaalayyaa
Singer: Kaala Bhairava
Lyricist: M.M. Keeravaani

Dandaalayyaa with the vocals of Kaala Bhairava is not of a single genre. This complex song is a pleasant yet commanding number. With superior vocals, orchestration and the bgm that plays in the trailer featuring in this song, it is a feast of instruments, chorus and vocals blended well. The chorus portions are deep and are extremely convincing. Dandaalayya is Keeravaani’s feast for
Baahubali 2 and takes you into the world created by Rajamouli just through the music.

Kanna Nidurinchara
Singers: Sreenidhi, V. Srisoumya
Lyrics: MM Keeravani

This is a lovely classical folkish melody, convincingly rendered by Sreenidhi and Srisoumya. There is an efficient usage of the guitars and the Flute with the folk beats given priority in the hook. The Mridangam and Tabla give the song the perfect base. Keeravani's great experience and knowledge about how to take the track forward is very explicit.

Oka Praanam
Singer: Kaala Bhairava
Lyricist: M.M. Keeravaani

Oka Praanam, the highly positive sounding number sung by Kaala Bhairava has very interesting use of beats. It has minimal usage of vocals and is more of instruments. The violin takes the front seat, while the chorus falls in during the latter half. A proper situational number by the composer.