In the climax sequence, a bomb is planted in the villain’s lair and set to explode 15 mins later. After exactly 15 minutes through the film, the ship explodes. A.R.M! - take a bow.

In this scene, the movie reveals that the protagonist, Sivam wears a loin cloth as an underwear. What could be important about this? Well, Sivam being physically challenged obviously would find it difficult to wear normal underwears. Thus this adds to the meticulous detailing of the makers.

Gavemic U Ary and Karthik Subbaraj have their share of detailing. Like this one in Jigarthanda - Notice how the church’s pillars serve to form horns over Sethu’s head to indicate his evilness? 

In this particular scene in this critically acclaimed film, we see the central theme of the film written on the blackboard. The thirukural “Oruthaarai Onraaga Vaiyaare..” which states the theme of the film and the proceedings after that scene. 

In the starting sequence of Kabali while the policemen are discussing the don’s previous charges through the projector, his birth date is revealed. 12/12/1956. Just a minor yet recordable detail done by Ranjith. 

Remember the train scene in Vaaranam Aayiram? The one where Suriya sings En Iniya Pon Nilave to Sameera? Did you then notice the director’s tribute to Illayaraja?

Did you notice how  K.V.Anand brought back the essence of Ko in Maatraan? Through the poster of Ajmal shown in the pic.

In the scene where Rancho makes changes to the speech written by the librarian for Chatur to deliver, the computer screen shows 6 changes being made - the exact number of instances where Chatur errs in his speech. 

Detailing is something the team behind M.S.Dhoni biopic took very seriously. Amongst most of the detailing done to stay true to the period and real life characters, there is this small detail where most of the numbers in the film turn out to be 7 - Dhoni’s jersey number. The number of his black Scorpio, (7777), the room numbers (304 and 106) where he stays add up to 7, the courier he receives is numbered 106, and so on. 

K.V.Anand’s detailing in Anegan is seen in the song Athadi Athadi when in Amyra’s class is seated young Aung Suu Kyi, the Burmese state person. Interesting all facts match - the dates, and the school.

In this particular scene (topmost), Ranbir Kapoor holds a conversation with his dad before leaving to Manali and is seen packing. Watch how the director was mindful enough and made him wear the set of clothes he packed earlier.

In this film Shah Rukh Khan makes a cameo appearance as himself. Along with him is this person (Top), Shiekh Mushtaq, an old friend of Shah Rukh’s who has written many books on him. The reason for his appearance in the film manifests in the following scene (below) where he gives Farhan an advice about remembering people who were beside you when you were a nobody!

The film directed by M.S.Dhoni director Neeraj Pandey is based on the 1987 Opera House heist where robbers posed as CBI officers to rob a famous jeweler off a sum of Rs. 30 Lakhs. In the movie, however, the amount robbed is stated to be 2 CRORES, which is also correct if you consider the inflation.

In the scene where George meets Malar after she acknowledges his love, he wears a yellow jacket. He wears the same jacket when he goes to meet her after her accident. What any romantic lover would do - an important, easily noticeable and subtle detail. 

In this more well known piece of detailing in RDB, Sid wears Madhavan’s jacket in memory of him during the ending scene.

In the much acclaimed Queen, in this particular scene when Kangana runs through a particular hotel whose name is De Vrijheid which means ‘Freedom’ in Dutch. Coincidence much? Not really.

Vikram Kumar’s genius in 24 manifests in the form of the eagle that works the plot around. Probably to convey a deeper sense, the eagle symbolizes the destiny of Sethuraman, the scientist as it follows him throughout the time travel.

Iraivi is one such film by Karthik Subbaraj where there are a lot of metaphors and details. For instance, the director makes use of rain and the willingness of the women in the film to get drenched in it to portray the liberation of women. 

In Pink, Tapsee has a tattoo as shown in the pic which portrays the flight of a bird. The shot of her tattoo features during the court scene where judgment ordering her release he passed, symbolizing her release. It also symbolizes the liberation of women, especially considering Amitabh’s strong courtroom discourse. 

In Salman Khan’s recent film Sultan, the old wrestler wanting to get back to the ring goes to Randeep Hooda for training. He is asked to come back the next day at 10:00 AM. Sultan gets back the next day earlier than 10:00 AM. That the team has included this small detail to show his eagerness to get back to the ring is commendable. 

A somewhat easily visible detailing brought in by the writer - When asked why she doesn’t go to visit her grandfather, she says that she is afraid of travelling by flight. In another instance when she is explaining why she doesn’t like to celebrate her birthday, she reveals that her parents died in a plane crash on her birthday - The reason why she is afraid of flight travels! 

Directed by Sukumar with Mahesh Babu in the lead, the film talks about a rockstar who is suffering from a psychological disorder due to which he imagines a killer to be after him in many instances. Though this is only revealed in the ending, the film is known for various detailing added by the director at previous instances that reveal that he is imagining things. In one such instance, he imagines himself to be shot at a concert. But the audience unperturbed by the gunshot, reveals that he is merely imagining things.