After the innovative and unique Kathai Thiraikadhai Vasanam Iyakkam, the film without a story, Parthiban has come up with yet another creative movie, this time, a film with mistakes, Koditta Idangalai Nirappuga (KIN).
The film deals with the lives of three people, Kevin (Shanthnu), Rangaraj (Parthiban) and Mohini (Parvathy Nair), who live together in a cottage house. Revealing more than this about the plot can be a spoiler and hence we aren't going to divulge more about this. You might have seen films on this similar kind of plot, but this one keeps you expecting to be different with the way it was narrated. Watch out for the last twenty minutes especially, which might change your perspective about the film.
This film will be an important one in Shanthnu’s acting career as he has given his mature best. His expressions convey varied emotions. Shanthnu’s suave dance moves in Damukutlaan song is a treat to watch, but the placement or the need for that song is questionable. Parvathy Nair is seductive, and her role is a bold one, but she doesn’t make a significant impact.
Thambi Ramaiah’s humor works at very few places. Parthiban, as usual, has given a neat performance. His innocent look, body language, and behavior throughout the film are good to watch. There’s no character description for Simran’s role, and the clarity is missing about how she is related to Shanthnu. Even if you remove her character from the film, the plot or the film’s impact remains the same.
Koditta Idangalai Nirappuga is an upcoming entertainer starring Shanthanu and Parvathy Nair in lead roles. Music for the film is composed by Sathya.
En Oruthiye
Singer: SriramaChandra
Lyrics: Kabilan
The album gets a headstart with a trendy number adept in acoustic guitar, trance beats and stylish vocals by Sriramachandra. His vocals has an interesting blend of modernity along with folk flavors. The interludes are entertaining with a Sitar solo in the midst of Hip-Hop beats. The song also has a Jazzy touch which is not overdone at any point of time.
KiluKilu Payaai
Singer: SriramaChandra
Lyrics: Radhakrishnan Parthiban
A quirky number arrives next which again is rendered by Sriramachandra with perfect ease and mastery. The song is quite stylish and cosmopolitan in the presentation and the live drumming along with riveting guitar does the job quite well. The song has a lazed out American Country flavor associated with it and also a sweet sounding native essence as well. It sounds quite fresh and appealing throughout its progress.
Wifeh Lovvu
Singer: Malaysia Ganesan, Bhagyaraj
Lyrics: Radhakrishnan Parthiban
The composer takes a detour to a funky Jazz fusion number with Tamil folk and also has a tinge of hilarity. Malaysia Ganeshan’s sultry vocals are quite good and the lyrics do complete justice to the genre. The guitars take a fun take on Carnatic Raaga Naatai in the so called Classic Rock style. The icing on the cake arrives in the form of indigenous beats.
Damukaatlaan Dumukaatalaa
Singer: T.Rajendar
Lyrics: Logan
The high energy is sustained with another peppy number comprising of interesting chord progression and the entertaining vocals of T.Rajendar. The song attempts to strike a balance between Hip-Hop beats and Tamil folk but the contemporary flavors are heard in more intensity throughout. The electronica sounds dominate the whole composition with effortless ease.
Na Re Na
Singer: Kharesm a Ravichandran
Lyrics: Madhan Karky
An introspective number has quite stylish vocals of Khareshma Ravichandran with mild trance beats and stylish chord progression. Madhan Karky’s lyrics are quite poetic and at the same time appeals to the younger audience well. The composition exhibits many shades right from love to impending danger in the so called musical fashion. The song is entirely taken forward by the stupendous vocal rendition by Khareshma.
Vaa Jannal
Singer: Sriram Parthasarathy
Lyrics: Muthamil
The finale strikes with a laid back jazzy folk number sung by Sriram Parthasarathy who is adept in such laid back compositions. There is a breathtaking tinge of classicism in the lead tune which is the highlight. The chord progression is quite brilliant for the unknown realms it takes the listener to. The amazing strings is another masterstroke by the composer. The angry sounding electric guitar gives a different shade to the composition.